Showing posts with label Second Life Education. Show all posts
Showing posts with label Second Life Education. Show all posts

Friday, November 18, 2011

Nov 19 "Let's Talk Classical Music" with Aelthing Aeon

Let's Talk Classical Music
November 19 @ 11 am SLT
Music Island, Sea Turtle Island

Like to listen and learn about classical music? Aelthing Aeon, a guest lecturer with the National Federation of Recorded Music Societies (UK) will present an informative talk on selected classical recordings. This month's topic "Innovation and Conservation in Early Music".

The format for this series is selected recordings on the SL music stream accompanied by informative text chat by the host. Questions and comments from the audience in text are welcome during the presentation.

Wednesday, July 13, 2011

SLCC 20011 - Thoughts on why virtual community gatherings should be, ummmm, virtual

I have been talking to some friends in Second Life about the upcoming SLCC (Second Life Community Conference). http://www.slconvention.org/

For those of you that don't know what that is, some really late announcements have gone out for a gathering in California next month that purports to be a gathering of SL community. These annual conferences have been happening since 2005, all of them have been in the United States and most in California. This year's website frankly calls it the "Official United States Gathering" but the name Second Life Community Conference implies a greater, global, reach.

In 2006 when I first joined SL there seemed to be a spirit of making events in the SL of equal or greater focus but in recent years the F2F gathering has stolen focus. Inworld events have been more about streaming in content happening in the RL context. In an international virtual world community I find this counter-intuitive. Other virtual world events manage to reflect inclusivity more, eg: VWBPE (Virtual Worlds:Best Practices in Education) but most serve only a sectoral interest.

After 5 years of waiting for the community conference to grow up and embrace the international community that SL really is , I've become a bit intemperate and frustrated I guess. Why do I feel that the focus of a virtual world community conference should be in... virtual reality? (bear with me, I know it seems like a no-brainer).

  • we are an international community,
  • we tout the value of virtual spaces,
  • there is a global recession,
  • this year Linden Lab cancelled discounted tier for educators and non-profits leaving those valued participants short of cash
  • Second Life was founded on a somewhat Utopian ideal about bringing people together internationally in an affordable and inclusive way
  • we tout the environmental superiority of meeting in virtual spaces

All these (and many more reasons that I have likely missed) seem to me to indicate that the main annual meeting of the SL community should be virtual with regional livespace events ocuring as people choose and can afford to attend, augmenting and feeding into the international virtual gathering. I have no doubt that livespace meetings are wonderful bonding experiences for those that live near the event or who are privileged enough to be able to afford air-travel in these times. That is not the majority of Second Life residents.

It's too late to change things this year but each year it has been the same story of late news to the community and all the key decisions made. Yes there will be inworld events but organizers admit they will not be the focus. "Jump in and help", we are told.

I felt two ways about the suggestion from an organizer that in order to be entitled to have a voice in the future direction of SLCC, I become a worker bee at an event whose focus I feel is wrong-headed. Volunteerism is about choice. What are my choices or the choices of people who cannot be a part of the live gathering?

Are there just two unpalatable choices here: support SLCC or walk away & shut up?

Is there a third choice? Yes, let's talk about putting our efforts into another vision. How about throwing our own grassroots party in SL instead of gluing ourselves to media screens to watch the cool (rich) kids talk to each other. We can show our displeasure by saying "we just aren't interested in what you are saying to each other at an event you have effectively shut us out of". But even better we can develop a better vision of a community gathering based on the grass-roots organizing that SL is best for. I have been speaking to some of my colleagues involved with groups who are particularly shut out due to distance and economics, such as the disabled and First Nations people.

Who else is out there that might like to join this conversation?

Tuesday, October 5, 2010

Will Microsoft or any other buyer want to buy an empty Second Life shell?

Linden Lab recently served notice that they were going to double the tier fees for non-profits and educational sims, sending universities, non-profits and graduate students with limited budgets into a flurry of thoughts about how to cut 50% of their costs. Some are talking about reducing sims, some are talking about sharing sims, and others are talking about leaving SL entirely. Very few have the ability to simply double what they pay to Linden Lab. Average residents reel as awareness grows that the heart will be carved out of the SL community with the loss of so many of the educational and non-profit organizations and individuals who have contributed so much.

Speculation on listservs and blogs includes the thought that LL hopes to make their bottomline more attractive by inflating their Accounts Receivable, but are these rents that they will really be able to collect?

In an economic climate where most are cutting their budgets (from all sectors)it is guaranteed that, instead, those organizations who elect to stay in Second Life will make do with half of the space. Even in good times, a increase in project budget of this size would take time for an educational institution or research project within the organization to respond to: allocation requests would have to be submitted and approved, grants would have to be applied for, decisions would have to be made. Had there been any warning of this fee increase, or had it been phased in gradually, some institutions might have been able to adjust. However a sudden increase like this in another lightening fast reversal of previous Linden policy not only makes educators feel unwanted, it adds to the long list of sudden reversals, changes, flip-flops, contradictory policies that have shaken the confidence of residents at every level of participation in the virtual world. But the bad news won't stop there!

I fear that some decision-makers at Linden Lab may think "So what, let them go, we don't make most of our money on educational sims and non-profits! Let's free up resources to be used at full market value."

The trouble with that view is a blindness that has plagued LL since the beginning. Despite the occasional platitude, all their actions seem to betray a firm mindset that Second Life's attraction and retention rate is solely or primarily the result of what Linden Lab has developed, Linden marketing and orientation of new avatars. What would Second Life be like without the user-created content? Vast lands of the same few trees, land textures , or and let's not forget those Linden Homes! Is this a place anyone would find interesting? How many of the more interesting builds in SL have been created by non-profits, universities, students and non-profit volunteers within Second Life? I don't have any research but anecdotally most of the interesting builds I am aware of from the Sistine Chapel to the Center for Water Studies to the SL Quaker Meeting House are all educational or non-profit sims. How many interesting builds are created by business? Will an SL of endless shopping malls and big box stores attract more or less citizens?

But avatars' engagement with SL and retention of interest in the virtual world does not stop with exploring builds, in fact in my observation, that's a minority interest. I meet a lot of new residents at Music Island. People come into Second Life wanting to socially interact with others and to do things that interest them. If you look at the listings in the Second Life search engine for things to do, how many of those opportunities are provided by business? How many are provided by individuals? How many are offered by non-profits? How many are hosted by educators?

Once you get past the sales and gimmicks to increase sim traffic stats for businesses, you find many events, exhibits, conferences and discussion groups are created by educators and non-profits. With Linden Lab's doubling of fees, will these events decrease by a corresponding 50% or will there be more of a snowball effect that will more drastically reduce interesting educational, artistic, and informational content within Second Life?

A fair number of other events you see on the SL listings are created by well-meaning individual residents as volunteers. Music Island concerts falls into this group. Many of these individuals, whom I know as colleagues, are willing to give back to the Second Life community because of the quality of the community--a community that includes educational institutions and non-profits that they are a part of or support. In turn, they enjoy being in Second Life themselves because of the enriching atmosphere of learning, discussion, discovery and fun. Other individuals are running pilot projects that they had hoped to run in association with an educational or non-profit organization in the future, or incorporate as a non-profit themselves.

New residents' principle source of help in Second Life is from educational organizations and non-profits who provide free or PWYC (pay what you can) resources including freebie walls, orientation packages and courses in building, making clothing, how to roleplay, and discussion groups on SL relationships/identity issues. I think it is highly likely that I would not have been in SL for the past 5 years had it not been for groups like NCI that taught me to build and pointed me to things of interest. Over those years I have contributed thousands of dollars to the SL economy directly, and contributed much more indirectly through my unpaid labour in coordinating concerts for the benefit of SL musicians and audience members. Every potential resident like me who fails to be engaged in SL because there are fewer non-profit courses, events and support location is a huge loss in revenue stream down the line for Second Life.

Last week, at Music Island I hosted a concert by an SL musician who is a great favorite among our audience, Young Zeid. The sim was full and I was gratified to see among the audience some avatars who had not been online for awhile. I spoke to some in IM. From them I heard similar stories. "SL has not been the same lately with the lay-offs, the damned new viewer, a lot of sims closing, my friends leaving, my project cancelled. . . BUT... I saw your listing for a concert by Young in my email and it seemed like a good time to come back online and visit here and see what's going on. Concert is great and it is good to be here". This was a demonstration of something that should be obvious to Linden Lab, people are retained in Second Life when they have a community and as Richard Florida has pointed out, the creative class of educational and creative workers contribute their weight in gold to the economic health of communities.

If educators and non-profits leave Second Life, it will be less painful for them than it will be for Linden Lab and for individual Second Life residents. Educators and non-profits can migrate their projects to OpenSim or other virtual worlds, for many it will have little impact on their ablity to deliver their courses and projects. However individual SL residents will miss out on the participation and content contributions of educators and students in the community.

My dedication to Second Life was based on the idea that it was a platform that could make a difference in global understanding, the environment, democratic participation, arts practice... a score of different things that were the result of non-profits and volunteers choosing to work within this virtual world.

My Second Life includes non-profit workers, volunteers and educators.

On the demonstrated principle that Linden Lab only cares about money in these days, I would suggest that as a community we take the following actions:

1. Twitter/blog/post everywhere that there will be a vast reduction in interesting content on SL if non-profits and educational institutions leave SL.

2. Boycott Marketplace in protest but support your SL businesses inworld.

3. Ask people to pledge a discontinuance of Premium Accounts by Dec 31, 2010 if LL does not continue discounts for Education and Non-profits.

4. Start Facebook/Linked-In groups to publicize actions.

5. Spend spare minutes in SL at welcome centres handing out notecards to newbies telling them how their SL experience will be adversely affected by the reduction in non-profit and educational presence in SL

6. On a protest day (TBD) cancel all eductional, non-profit, and affiliated events. Publicize the results in attendance.

If you do any of the above, please post in comments here so we can all support each other's effort to build a protest to this disasterous course of action.



Thursday, December 24, 2009

The Angel's Harp Dec 24 @ 9 am SLT

The Angel's Harp
December 24, 9 am SECOND LIFE TIME
Innovation InfoIsland



Christmas harp that is more than "just the twinkley bits" as this virtuoso of the instrument shows us!

BIO:
Mihangel (Angel) is proud to be one of the rare breed of harpist who happen to be male!

Living in Wales and working across the globe, he is an accomplished performer, who has played since he was five years old, plays both the Welsh lever and orchestral harp, he has worked hard to show the breadth of his instrument.

Playing a fairly wide repetoire - from traditional Welsh folk music, pure classical pieces by Debussey et al to the more complicated works to Karl Davies and Salzedo, Angel has performed in many of the worlds larger venues - Millenium Centre,Cardiff; Royal Albert Hall, London; Sydney Opera House, Sydney to name but a few.

Angel has recorded with several orchestras and ensembles and hopes to release a solo album of his work soon.

Wednesday, December 23, 2009

Schumann Duo Dec 23 @ 2pm SLT



The Schumann Duo reprises their annual holiday concert as the special guests of Music Island. Kahuna Schumann will use every member of the oboe family during this warm and educational family concert.

Sunday, December 13, 2009

Students of Thom Dowd to play, 8 a.m. pst Sunday 13 December 2009


(reposted with permission from Thom Dowd's Renaissance and Baroque Recorders)
MUSIC OR DIE
RECORDER QUARTET
MUSIC ISLAND SL

All of our favorite Christmas songs played by a group of young musicians. Please come and share this special moment with us at Music Island in Secondlife. Concert begins 8 a.m. pst, 11 a.m. est.

AUDIO STREAM to put in Quicktime or Itunes is http://38.96.148.45:8888/

Amelie Wantz, Olivia Tettü, Fabienne Baumann and Jonas Fragniere



  • Es flog ein Täublein weisse Geistliches Volkslied um 1602

  • Es ist ein Ros entsprungen Köln 1599

  • In dulci jubilo Wittenberg 1529

  • Lieb Nachtigall, wach aus Bamberger Gesangbuch um 1670

  • Lobe den Herrn Joachim Neander; Stralsund 1665

  • The Holly and the Ivy England

  • Campana sobre Campana Spanien

  • We wish you a Merry Christmas USA

  • Whence, o Shepherd Maiden Kanada

  • Il est né le devin enfant Frankreich

  • Ein Kindelein so löblich Finnland

  • Noël chantons ici Frankreich, 15. Jh.

  • Fum, Fum, Fum, Spanien, Katalonien)

  • Mary’s Boy Child – Oh My Lord Jester Hairstone / Frank Farian / Fred Jay

  • Rockin’ Around The Christmas Tree John Marks

  • Mistletoe And Wine Leslie Stewart / Jeremy Paul, Keith Strachan

  • Winter Wonderland Dick Smith / Felix Bernard)

  • Stille Nacht Joseph Mohr, Franz Xaver Gruber


Monday, September 28, 2009

Music Island is showcased as part of Innovation InfoIsland Grand Opening

Innovation InfoIsland Grand Opening:
SATURDAY OCTOBER 3

Come witness the birth of a grand idea – a sim devoted to the innovative thinking and projects of educators, librarians and information technologists!


The grand opening of Innovation InfoIsland will be a day-long celebration Saturday, Oct. 3.


Innovation InfoIsland will be home to wide ranging projects created by some of Second Life’s most innovative and imaginative residents. The intent of the sim is to give these thinkers, inventors and designers a place to work, create and display their ideas in a beautiful setting reminiscent of New Orleans.


The Grand Opening will showcase a taste of what will be in store: an eclectic variety of live music, discussion from a panel of distinguished professionals, singing and dancing by a talented duo, a book discussion and, of course, dancing! Keynote address will be delivered by Pathfinder Linden at 11 a.m. SLT. Throughout the day visitors are encouraged to tour the island, see some of the projects currently underway and talk to some of the project developers.

Here is the complete schedule of events. All times are SLT.

8 a.m.
Studying Psychic Experiences with Rodolfo Mirabella and Maggie Larimore of The AZIRE Library on Innovation Infoislands. Mirabella and Larimore will talk about their research into the psychology of psychic experiences, training a new generation of researchers and the importance of Second Life libraries and museums to the education process. Their almost 30 years of collaboration in RL research and education has focused on the out-of-body experience, and the history of parapsychology.

9 a.m.
- Book discussion of "The Art of Innovation: Lessons in Creativity from IDEO, America's Leading Design Firm" by Tom Kelley and Jonathan Littman. The discussion will be led by Maxito Ricardo, who in real life is Tom Peters, founder and CEO of TAP Information Services, a company that helps libraries and other organizations innovate.

11 a.m
. - Keynote, Pathfinder Linden, "Innovation in Education in Second Life"

12 p.m
. - Music Island Concerts@Innovation Island presents violinist Young Zeid. Zeid (Xi Yang in RL) has had a distinguished music career, beginning with his solo debut at age 9. He studied at the Conservatory of Music in Beijing, China, and won the National Violin Competition in Shanghai. At age 17 he was a semi-finalist in the Jacques Tibaud International Violin Competition in Paris. He is a graduate of Indiana University School of Music at Bloomington. He is the the Assistant Concertmaster, guest conductor and soloist with the Raleigh Symphony Orchestra and is a member of the Arcangelo Piano Quartet and Duo Appassionato. He is also the founding music director and conductor of the Youth Symphony of Florida.

1 p.m
. - Music Island Concerts@Innovation Island presents the ambient electronic innovations of AldoManutio Abruzzo. Abruzzo performs a unique blend of improvisational ambient guitar with inspirations from classical and world music. He has studied classical guitar, Renaissance and Baroque lute, trombone and recorder and he records and performs under his project name of "usr/sbin."

2 p.m. Panel discussion "Innovation in Education & Libraries.

Panelists are:


Valerie Hill (Valibrarian Gregg) 2-2:10 pm

Valerie Hill is a school librarian and doctoral student at Texas Woman’s University School of Library and Information Studies.

Topic: Innovative Librarianship


Esther Grassian (Alexandria Knight) 2:10-2:20

Esther Grassian is an adjunct lecturer at UCLA Dept. of Information Studies & Information Literacy Librarian at UCLA College Library

Topic: Innovative Information Literacy


Elaine Plybon (Celestia Cazalet) 2:20-2:30pm

Elaine Plybon is a Chemistry teacher and Instructional Technology Specialist at the Jack E. Singley Academy in Irving, Texas. She is the chairperson for the Discovery Educator Network Leadership Council in Texas and serves on the Leadership Council for the Discovery Educator Network in Second Life.

Topic: Innovative Emerging Technology Trends


Sheila Webber (Sheila Yoshikawa) 2:30-2:40

Sheila Webber is a senior lecturer at the Department of Information Studies, University of Sheffield, UK.

Topic: Innovative Media Literacy


Keith Mitchell (Larry Klugman) 2:40-2:50pm

Keith Mitchell is the Coordinator for Technology Initiatives for the Center
for Science and Mathematics Education
- University of Texas in Austin

Topic: Building a Professional Development Community
with Second Life

Marianne Malmstrom (Knowclue Kidd) 2:50-3pm

Marianne Malmstrom is a Technology Teacher and machinimatographer.

Topic: Machinima in Education


4 p.m Krull Quar - Will discuss "Cool Tools in Second Life" and the dynamics of tying in real world informatics and Second Life. As well as discuss tools which allow administrators
and program developers to mine and collect data about their audience and participants. Show some of the tools available in Second Life that make it possible to interact with participants and viewers.


5 p.m. Kate Miranda and Jay Ackroyd - Music Island Concerts- - Virtually Speaking - stand at the intersection between the Arts and public conversations about the social, economic, political and scientific issues that confront the modern world. They will discuss the particular challenges and opportunities that confront them as content providers, the trajectories of their two programs, and their emerging collaboration.

6 p.m. Satin Galli and Erin68 Frog take to the stage to sing a mix of duets and solos highlighting the music of hit vocalists from the past 30 to 40 years. Come prepared to dance to their delightful music. Galli and Frog were winners of the Anthology Awards 2009 for Best Duo and the Live Entertainment Music Awards 2009.

7 p.m. Music Island Concerts @ Innovation InfoIsland will present a concert at the island jazz club, featuring Cindy Ecksol. Ecksol has been making and teaching music with voice, autoharp, fiddle and a variety of other instruments for as long as she can remember. She is particularly interested in traditional music of many varieties, and her repertoire includes everything from Irish tunes and Israeli dance music played on autoharp to dark Appalachian fiddle tunes from the mountains of West Virginia, as well as amusing modern songs about real life.